. International Studio an Illustrated Magazine of Fine and Applied Art. his difference, that the former needs clay for his productions, while the latlerdemands light. In 1889 Fornara abandoned the Cavalli school,feeling the need of absolute meditation in thepresence of nature itself Thanks to his fineequipment, he succeeded in making a most satisfac-tory first appearance at the Milan Exhibition in was about twenty at the time, and here for thefirst time saw the work of Segantini, who exhibiteda Cow in a Yard and the Two Mothers. Onthe mind of Fornara these two pictures producedas it we
. International Studio an Illustrated Magazine of Fine and Applied Art. his difference, that the former needs clay for his productions, while the latlerdemands light. In 1889 Fornara abandoned the Cavalli school,feeling the need of absolute meditation in thepresence of nature itself Thanks to his fineequipment, he succeeded in making a most satisfac-tory first appearance at the Milan Exhibition in was about twenty at the time, and here for thefirst time saw the work of Segantini, who exhibiteda Cow in a Yard and the Two Mothers. Onthe mind of Fornara these two pictures producedas it were the impression of a dream realised, forthe young painters ideas found their complete formin the works produced by Segantini. Fornara at once had the conviction that thesuperiority of the Segantinian paintings over allothers in the Triennial was derived from the divisionist technique, which he loved beyondall others. Of this method Fornara is now themain supporter in Italy. It is to be remarked that the divisionism or luminism of Fornara is filamentous, or thready,.
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Keywords: ., bookcentury1900, bookdecade1900, bookidinternationa, bookyear1908
