A new history of painting in Italy : from the II to the XVI century . THE STORY OF JOSEPH GRANACCI. Uffizi, MADONNA DELLE ARPIE ANDREA DEL SARTO. Florence. RLDOLFO GHIRLANDAIO 481 We believe that Granacci surrendered himself to scene-paintingchiefly when he joined the atelier of Ridolfo Ghirlandaio, after his returnfrom Rome and his quarrel with Michael Angelo. As Ridolfos partnerprobably he assisted in valuing Mariottos Annunciation in 1510 ;x andin the same subordinate position he painted standards, theatricalhangings, and one of the triumphal arches at Florence,
A new history of painting in Italy : from the II to the XVI century . THE STORY OF JOSEPH GRANACCI. Uffizi, MADONNA DELLE ARPIE ANDREA DEL SARTO. Florence. RLDOLFO GHIRLANDAIO 481 We believe that Granacci surrendered himself to scene-paintingchiefly when he joined the atelier of Ridolfo Ghirlandaio, after his returnfrom Rome and his quarrel with Michael Angelo. As Ridolfos partnerprobably he assisted in valuing Mariottos Annunciation in 1510 ;x andin the same subordinate position he painted standards, theatricalhangings, and one of the triumphal arches at Florence, in 1516, atthe solemn entrance of Leo He also furnished cartoons for glass tothe brotherhood of the But he lived for many years afterthat, making a will in 1533,4 and died in 1543,5 without our being ableto ascertain whether he was entrusted in the interval with any great orindependent p. 414. The Virgin looks down from a glory of flaming rays. At the side of hertomb kneel SS. Thomas and Francis, at whose flanks stand S. Paul and can see, in this picture, nothing of the Frat
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