The International Studio /June 1915 . \ Oil Painting in Japan. i - PINE TREES AT MAIKO •- the studio was conducted by his son also had two promising young pupilsnamed Goseda Hosho and Yamamoto former was considered a genius, and was sentabroad to study, but the results fell far short of theexpectations of his younger days. Marked progress was made in the new art whenKunizawa Shinkuro returned in 1875 a^ter twoyears study of painting in England. He welcomedpupils to his studio at Hirakawa-cho, Tokyo, whichhe called Eigido. After his death three yearslater, Honda Kinji
The International Studio /June 1915 . \ Oil Painting in Japan. i - PINE TREES AT MAIKO •- the studio was conducted by his son also had two promising young pupilsnamed Goseda Hosho and Yamamoto former was considered a genius, and was sentabroad to study, but the results fell far short of theexpectations of his younger days. Marked progress was made in the new art whenKunizawa Shinkuro returned in 1875 a^ter twoyears study of painting in England. He welcomedpupils to his studio at Hirakawa-cho, Tokyo, whichhe called Eigido. After his death three yearslater, Honda Kinjiro tookhis place at the studio,but his ability was notequal to that of hismaster. Kawakami Togai,Takahashi Yuichi andKunizawa Shinkuro con-stitute the three stars in &&2»the history of Europeanpainting in Japan in theearly part of the Meijiera, which began with theRestoration. Art School in the pupils of thethree Japanese artists justnamed rushed with a zealthat inspired the Italianmaster with no small degreeof fervour in his endeavou
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