. A short history of art . A O o -1-1 /. o o O -! CD H â ^ «M o ^ H o :^ -lll X -M y. ^ l-- uj c: <; O ^ C. X â Si j X A y. a i ARCHITECTURE OF THE 19th CENTURY 603 that in the years preceding the revolution the Roman man-ner was advocated alike by philosophers, patriots, andartists; and that it obtained monumental expression in thePantheon. With the advent of the Empire and Napoleonsparade of Caesarism, the more gorgeous forms of Romanarchitecture received official approval. The results are seenin the Arc de Triomphe, a close copy of Roman models;the Arc de IEtoile, a larger and more inde
. A short history of art . A O o -1-1 /. o o O -! CD H â ^ «M o ^ H o :^ -lll X -M y. ^ l-- uj c: <; O ^ C. X â Si j X A y. a i ARCHITECTURE OF THE 19th CENTURY 603 that in the years preceding the revolution the Roman man-ner was advocated alike by philosophers, patriots, andartists; and that it obtained monumental expression in thePantheon. With the advent of the Empire and Napoleonsparade of Caesarism, the more gorgeous forms of Romanarchitecture received official approval. The results are seenin the Arc de Triomphe, a close copy of Roman models;the Arc de IEtoile, a larger and more independent design;the Bourse; the river front of the Palais Bourbon; and theMadeleine, which combines with the exterior of a RomanCorinthian temple an interior with three pendentive 1830 a movement known as Neo-Grec was initi-ated by Due, Duban, and Labrouste, which sought to emu-late the purity and choiceness of Greek art. Examples arethe west fa9ade of the Palais de Justice, by Due; Libraryof the Ecole des Beaux Arts, by Duban; and the Libraryof Ste. Genevieve, by Labrouste. ⢠. ⢠i ⢠â
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
