. Furniture for the craftsman; a manual for the student and machanic. Fig. 11. INFLUENCE OF ANTIQUE MODELS 15 is called the Stuart and Tudor style, we immediately note achange in style when William, the Dutch Stadtholder, comesover from Holland with his wife Mary and possesses himself ofhis father-in-laws throne (1689-1702). He was a man of decided ideas and a determined way of put-ting them in motion. The period of William and Marypresents a study in furniture very different to preceding again the illustrations will more quickly show the distinc-. FiG. 12. Fig. 13. tion, and it har
. Furniture for the craftsman; a manual for the student and machanic. Fig. 11. INFLUENCE OF ANTIQUE MODELS 15 is called the Stuart and Tudor style, we immediately note achange in style when William, the Dutch Stadtholder, comesover from Holland with his wife Mary and possesses himself ofhis father-in-laws throne (1689-1702). He was a man of decided ideas and a determined way of put-ting them in motion. The period of William and Marypresents a study in furniture very different to preceding again the illustrations will more quickly show the distinc-. FiG. 12. Fig. 13. tion, and it hardly needs the attention to be called to note thedifference in the leg of chair. Fig. i 3. This pattern denotes par-ticularly the Flemish or Dutch influence, which in turn was bor-rowed by them from the French. There are many modifications of this, the cabriole leg, as it iscalled. The reader will note that the upper part of the chairindicates it is quite a different type in the transition still 16 FURNITURE FOR THE CRAFTSMAN of the former Jacobean, for it must be appreciated that whilewe are quickly reviewing this subject and are now stopping ata particular period that possesses many imported features to amarked degree, yet during all these periods the impressions andsuggestions of former styles in point of fact require a number of
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