. Programme. Boston 10 says (Thidy, of artistic conscientiousness, but to this we owe thesuixMl) melody at the beginning, wliich it is impossible to hear with-out emotion, for it is music itself, as Chabrier said. This new Morceau Symphonique is in D major, and its poeticmeaning is less complex than that of the one preceding, for itsaim is to express only the joy of the world which is changed andmade radiant by the words of Christ. It therefore remains tonal,and there is no reason for a dramatic moditicatiou of the colors byan advance into darkness, as in the first version. This is whyFranck,
. Programme. Boston 10 says (Thidy, of artistic conscientiousness, but to this we owe thesuixMl) melody at the beginning, wliich it is impossible to hear with-out emotion, for it is music itself, as Chabrier said. This new Morceau Symphonique is in D major, and its poeticmeaning is less complex than that of the one preceding, for itsaim is to express only the joy of the world which is changed andmade radiant by the words of Christ. It therefore remains tonal,and there is no reason for a dramatic moditicatiou of the colors byan advance into darkness, as in the first version. This is whyFranck, wishing, however, to depict the state of humanity return-ing to pagan doubt, thought to add, as a counterpart, the chorus inD minor, which in this second version precedes the plaintive chorusof angels, and already presages a new manner of writing. The Symphonic Piece is scored for two flutes, two oboes, twoclarinets, two bassoons, four horns, two trumpets, three trombones,ophicleide, kettledrums, and
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
