Programme . t modes and modern tonalities. Take thissame tonality, E minor. C. F. D. Schubart (1739^91) described itas naive, feminine, the declaration of innocent love, a lamentationwithout querulous complaint, sighing with only a few tears. Thistonality speaks of the serenest hope, which finds happiness by flowinginto C major. As E minor has naturally only one color, the tonalitymay be likened unto a maiden robed in white, with a rose-red bow onher breast. Friedrich Zamminer, in his Die Musik (1855), quotesfrom an aesthetician of 1838, a popular and fruitful professor of taste,who characteri
Programme . t modes and modern tonalities. Take thissame tonality, E minor. C. F. D. Schubart (1739^91) described itas naive, feminine, the declaration of innocent love, a lamentationwithout querulous complaint, sighing with only a few tears. Thistonality speaks of the serenest hope, which finds happiness by flowinginto C major. As E minor has naturally only one color, the tonalitymay be likened unto a maiden robed in white, with a rose-red bow onher breast. Friedrich Zamminer, in his Die Musik (1855), quotesfrom an aesthetician of 1838, a popular and fruitful professor of taste,who characterized all the tonalities: E minor is only limited andrestricted life, a struggle, the complaint of compassion, sorrow overlack of strength. A celebrated pianist told Dr. A. Breton, of Dijon,that to her G major was red, E major red, E-flat deep blue, etc.; and,when any piece of music that she knew was transposed into anotherkey, she was physically distressed. Did not Louis Ehlert declare thatA major says green?. GRAND, INVERTEDGRAND and PLAYER-PIANOS Have taken the front rank amongthe really artistic pianos by reasonof their superb tone quality and theexcellence which distinguishes everystructural detail. The Mehlin Inverted Grand isthe only Upright built on theprinciple of the Grand. It has theGrand Scale, Sounding Board andTone. For Art Catalogue and full particulars apply to L Co H&ITVey C©a, ] 44 Boylston Street, Boston in Overture; to Byrons Manfrkd, Op. 115 . Robert Schumann (Born at Zwickau, June 8, 1810; died at Endenich, July 29, 1856.) Schumann, as many other Germans of his day, was a passionateadmirer of Byron. He wrote a chorus and an aria for an opera, foundedon The Corsair, but he abandoned his purpose, and the music wasnot published. He set to music three of the Hebrew Melodies. Hisperturbed spirit found delight in Manfred, and he said that he neverdevoted himself to composition with such lavish love and concentra-tion of power as in writing the music of Manfred. W
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