. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. poplars are really remarkably ago, when I first came here, they used to impressme greatly. The rows stand there with so much dig-nity, that the grove has almost something of a templeabout it. Kramer. Thats deceptive, I tell you. Lachmann. Oh, but only partly so.— I didn t know, though,that Bocklin was ever here. Kramer. At that time they had the notion that he was toprovide the grand entrance over there, in the Museumof the province, with mural paintings. In the end oneof their p
. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. poplars are really remarkably ago, when I first came here, they used to impressme greatly. The rows stand there with so much dig-nity, that the grove has almost something of a templeabout it. Kramer. Thats deceptive, I tell you. Lachmann. Oh, but only partly so.— I didn t know, though,that Bocklin was ever here. Kramer. At that time they had the notion that he was toprovide the grand entrance over there, in the Museumof the province, with mural paintings. In the end oneof their professors did it. Ah, I tell you, theres agreat deal of sinning done about such things. Lachmann. Oh, its boundless! Kramer. But let me tell you this: It was always so. Onlyone feels especially sorry nowadays. What treasuresthe present could lay up for the future with the hugeexpenditure and display that are going on in the coun-try today. As it is, the best men must stand aside.[Lachmann has picked up the proof of an etching andKramer continues to speak, referring to it.] Thats a 0m THOIM Ti. ^■^VA^^: i;S MOO^( NIGHT ^^ ^-E^cUn, ,y Ma. Kl.^,, k\^t\i<\ - huge*?xpendii the cout^
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Keywords: ., bo, bookcentury1900, bookdecade1910, booksubjectenglishliterature
