. The Greek theater and its drama. Fig. 6.—View of a Satyr-Play from a Dinos in AthensSee p. 25, n. 2. Fig. 7.—Views of a Satyr-Play from a Dinos in BonnSee p. 25, n. 2 INTRODUCTION 27 study of the other vases in this series, on which the loin-bandsresemble the trunks of the last-mentioned choreutes on theNaples crater rather than the skins of his nine the less, a multitude of short dashes on the waistbands inone of the Bonn dinoi (Fig. 7) is plainly intended to characterizethem as skins, and the bands on the Deepdene craters arepatterned in such a way as to suggest a fringed o
. The Greek theater and its drama. Fig. 6.—View of a Satyr-Play from a Dinos in AthensSee p. 25, n. 2. Fig. 7.—Views of a Satyr-Play from a Dinos in BonnSee p. 25, n. 2 INTRODUCTION 27 study of the other vases in this series, on which the loin-bandsresemble the trunks of the last-mentioned choreutes on theNaples crater rather than the skins of his nine the less, a multitude of short dashes on the waistbands inone of the Bonn dinoi (Fig. 7) is plainly intended to characterizethem as skins, and the bands on the Deepdene craters arepatterned in such a way as to suggest a fringed or shaggy illuminating side light upon the freedom which the painterexercised is afforded by a comparison of the left-hand choreutaein Figs. 6 and 7. These are identical figures in different copiesof the same original; yet the shagginess of the loin-band isclearly indicated in the one and entirely omitted in the , the choreutes on the other dinos at Bonn seems towear no waistband at all! In conclusion, it will be observedthat, except for variations in the representation of t
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