William Hogarth. The Reward of Cruelty. 1750. England. Woodcut in black on ivory laid paper In the conclusion to the print series Four Stages of Cruelty, the corpse of the murderer Tom Nero is dissected in an anatomy theater. At this time the bodies of criminals were the main source of cadavers; here Hogarth pointedly left the hangman’s noose around Nero’s neck. The dog gnawing on an discarded organ, possibly the heart, refers to the character’s unseemly torture of a dog in the first print of the commissioned this work and Cruelty in Perfection in a rare foray into the woodcut m
William Hogarth. The Reward of Cruelty. 1750. England. Woodcut in black on ivory laid paper In the conclusion to the print series Four Stages of Cruelty, the corpse of the murderer Tom Nero is dissected in an anatomy theater. At this time the bodies of criminals were the main source of cadavers; here Hogarth pointedly left the hangman’s noose around Nero’s neck. The dog gnawing on an discarded organ, possibly the heart, refers to the character’s unseemly torture of a dog in the first print of the commissioned this work and Cruelty in Perfection in a rare foray into the woodcut medium, but abandoned the experiment after only two prints; he published the complete series as smaller engravings a year later.
Size: 2464px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
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