Triomf van de Wijsheid, Giles Sadeler (2), after Bartholomew Spranger, 1597 - 1629 print Wisdom stands in the form of Minerva with one foot on the ignorance, a man with donkey ears. A putto honors her with a laurel wreath. She tied the man's hands with a rope. There are seven personifications around them as a variant of the seven free arts; Among other things, astronomy, music, geometry, painting, sculpture and rhetoric. Under the show a four -line, Latin caption that emphasizes that ignorants are unable to worship the arts. Prague paper engraving Triumphs (allegorical and symbolic). Crowning
Triomf van de Wijsheid, Giles Sadeler (2), after Bartholomew Spranger, 1597 - 1629 print Wisdom stands in the form of Minerva with one foot on the ignorance, a man with donkey ears. A putto honors her with a laurel wreath. She tied the man's hands with a rope. There are seven personifications around them as a variant of the seven free arts; Among other things, astronomy, music, geometry, painting, sculpture and rhetoric. Under the show a four -line, Latin caption that emphasizes that ignorants are unable to worship the arts. Prague paper engraving Triumphs (allegorical and symbolic). Crowning with Laurel. Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). Specific Aspects, allegorical aspects of Minerva; Minerva as Patroness. Ignorance; 'Ignorance', 'ignorance of all things', 'ignorance in a rich without letters' (Ripa). The Liberal Arts, 'Artes Liberales' (+ Variant)
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