. The air brush in photography, incorporating a progressive series of lessons . 70. I^ 17—Portrait -with Sqiturr Corner BdcLu/roiiiid n Chapter XXVLesson Eighteen IGURE 18 is completed by following the Instructions givenin Lesson Eleven. It might be stated here that in nearlyevery case where designs are blown around a figure, a cer-tain proportion of the color will fall upon the subject, butthis does no harm as it is not noticeable to the eye, althoughone must at all times be very careful to keep as much coloras possible off the obtain the white line around the border of the sq
. The air brush in photography, incorporating a progressive series of lessons . 70. I^ 17—Portrait -with Sqiturr Corner BdcLu/roiiiid n Chapter XXVLesson Eighteen IGURE 18 is completed by following the Instructions givenin Lesson Eleven. It might be stated here that in nearlyevery case where designs are blown around a figure, a cer-tain proportion of the color will fall upon the subject, butthis does no harm as it is not noticeable to the eye, althoughone must at all times be very careful to keep as much coloras possible off the obtain the white line around the border of the square, firstblow in the square with the celluloid form as instructed in LessonEleven. Then place a square of celluloid slightly larger than theblown design over the portrait and the square already blown this temporarily by means of frisket cement. When blowingin the beveled border, no color will fall on the margin covered by thecelluloid square, and when the border has been blown in and thesquare is removed the result will be found as in Figure 18.
Size: 1305px × 1916px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1920, bookidairbrushinph, bookyear1920
