. International studio. LISTENING FAUNSBY FRANZ VON STUCK Mr. Reismger s Collection. UISMARCK tluir own salvation as native )cranHnt and cir-( umslancfs might dii tate. ()f tiiis sturdy trio, whoarc among the veritable piUars of modern Teutonic-art, Mr. Reisinger owns, in addition to the Menzelpastel already mentioned, a fmely romantic At theSprint^, from the magical hrushof twoimi)ortanl Lenhac lis, one of which—the likeness ofBismarck - is, ])erhaps, the|)rize canvasof the entirecollection. While this particular Bcicklin may notshow that torrent of color and stress of action
. International studio. LISTENING FAUNSBY FRANZ VON STUCK Mr. Reismger s Collection. UISMARCK tluir own salvation as native )cranHnt and cir-( umslancfs might dii tate. ()f tiiis sturdy trio, whoarc among the veritable piUars of modern Teutonic-art, Mr. Reisinger owns, in addition to the Menzelpastel already mentioned, a fmely romantic At theSprint^, from the magical hrushof twoimi)ortanl Lenhac lis, one of which—the likeness ofBismarck - is, ])erhaps, the|)rize canvasof the entirecollection. While this particular Bcicklin may notshow that torrent of color and stress of action whichso often illumine the great Swiss barbarians work,it reveals a (leei)ly |)oeti( feeling and a (|uiet imagi-native fervor. The portrait of Bismari k occupies adistinguished place, even among the numerous i)re-sentments of the Iron Chancellor which Lcnbach executed during afriendship oftwenty yearsstanding. Whilesimple in pose andarrangement, it isa singularly pow-erful and impres-sive personal It depictsBismarck after hisretirement and hasthe distinction ofhaving
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
