Living pictures; their history, photoproduction and practical workingWith a digest of British patents and annotated bibliography . FG 53. CHRONO-PHOTOGRAPHY. 6a. Fig. 54. their teeth. At the first glance this combination ofserial exposure, intermittently moving film, andclamping-frame appears to be the first machine of themodern type. But consideration will show that LePrinces apparatus wasfounded on absolutelydifferent principles tothose in vogue at thepresent time, althoughsome resemblance maybe seen to types nowsuggested, and it maybe that future machinesmay follow some ofthis inventors dev
Living pictures; their history, photoproduction and practical workingWith a digest of British patents and annotated bibliography . FG 53. CHRONO-PHOTOGRAPHY. 6a. Fig. 54. their teeth. At the first glance this combination ofserial exposure, intermittently moving film, andclamping-frame appears to be the first machine of themodern type. But consideration will show that LePrinces apparatus wasfounded on absolutelydifferent principles tothose in vogue at thepresent time, althoughsome resemblance maybe seen to types nowsuggested, and it maybe that future machinesmay follow some ofthis inventors modern apparatustakes a series of pic-tures, by means of onelens (or at least from one point of view), on one filmmoved between the exposures. Le Prince used manylenses and moved his film during the time that neitherit nor the lenses facing it were in use, although exposure was going on bymeans of other lenses on anotherfilm. Practically, his apparatuswas a duplicate arrangement ofthe battery type, and, further,the great difference in positionbetween the lenses at opposedcorners must have given rise tovarying aspects of foregroundobjects, thus in
Size: 1727px × 1447px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, booki, booksubjectmotionpictures
