Wenceslaus Hollar. The Knight and Death, from The Dance of Death. 1651. Bohemia. Etching in black on ivory wove paper Hans Holbein’s famous Dance of Death woodcut series of 1538 (augmented in 1545) illustrated the medieval trope of the inescapability of mortality, regardless of one’s social rank or piety. These later etched copies by Hollar ( and ) capture the flavor of the original, showing a Landsknecht at two customary activities hoisting his two-handed sword on the battlefield and gambling indoors. The fact that the soldier’s opponent in both cases is Death personified do
Wenceslaus Hollar. The Knight and Death, from The Dance of Death. 1651. Bohemia. Etching in black on ivory wove paper Hans Holbein’s famous Dance of Death woodcut series of 1538 (augmented in 1545) illustrated the medieval trope of the inescapability of mortality, regardless of one’s social rank or piety. These later etched copies by Hollar ( and ) capture the flavor of the original, showing a Landsknecht at two customary activities hoisting his two-handed sword on the battlefield and gambling indoors. The fact that the soldier’s opponent in both cases is Death personified does not bode well for his chances.
Size: 2230px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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