Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815, 1821 print Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815. A car with painting players enters the city through the Emperor's gate of Antwerp. On the left in the foreground, the Stadzensmandag van Antwerpen transfers the good news of the return of the objects to the personification of art, which is grieving in a tent. On the right the draftsman establishes the scene, watched by the publisher Groenewoud. In the clouds is the triumvirate, the heroes of Waterloo: the Prince of
Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815, 1821 print Allegory on the return of the kidnapped objects of art and science in Antwerp, 1815. A car with painting players enters the city through the Emperor's gate of Antwerp. On the left in the foreground, the Stadzensmandag van Antwerpen transfers the good news of the return of the objects to the personification of art, which is grieving in a tent. On the right the draftsman establishes the scene, watched by the publisher Groenewoud. In the clouds is the triumvirate, the heroes of Waterloo: the Prince of Orange, Blücher and Wellington. paper. chalk brush symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). personification of a city, town-patron(ess). picture, painting. draughtsman at work - CC - out of doors Keizerspoort. Antwerp
Size: 4790px × 3498px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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