. English: Fleuron from book: An essay towards a description of Bath. In four parts. Wherein The Antiquity of the City, as well as the Reality and Eminence of its Founder; the Magnitude of it in its Antient, Middle and Modern State; the Names it has borne; its Situation, Soil, Mineral Waters and Physical Plants; the general Form and Size of its Body; the Shape of its detach'd Parts; its British Works, and the Grecian Ornaments with which they were adorned; its Devastations and Restorations in the Days of the Britons, Romans, Saxons, Danes and Normans; its additional Buildings down to the End o


. English: Fleuron from book: An essay towards a description of Bath. In four parts. Wherein The Antiquity of the City, as well as the Reality and Eminence of its Founder; the Magnitude of it in its Antient, Middle and Modern State; the Names it has borne; its Situation, Soil, Mineral Waters and Physical Plants; the general Form and Size of its Body; the Shape of its detach'd Parts; its British Works, and the Grecian Ornaments with which they were adorned; its Devastations and Restorations in the Days of the Britons, Romans, Saxons, Danes and Normans; its additional Buildings down to the End of the Year 1748; its Baths, Conduits, Hospitals, Places of Worship, Court of Justice, and other Publick Edifices; its Gates, Throngs, Bridges, Lanes, Alleys, Terrass Walks, and Streets; its inferior Courts; and its Open Areas of a superiour Kind Are respectively Treated of: The Gods, Places of Worship, Religion and Learning of the Antient Britons Occasionally Considered: And the Limits of the City in its present State; its Divisions, Sub-Divisions, Laws, Government, Customs, Trade and Amusements Severally pointed out. Illustrated with the figure of King Bladud, the First Founder of the City, as described by the Orator Himerius under the Name of Abaris; together with proper plans and elevations from two and twenty copper plates. By John Wood, architect. ... 327 An essay towards a description of Bath Fleuron T064619-15


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Photo credit: © The Picture Art Collection / Alamy / Afripics
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