. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . ded by the dominant with its root at the bass. This is emphasizedif the dominant is preceded by the second inversion of the tonic, andstill more emphasized if the second inversion of the tonic is precededby the subdominant (asat</) or supertonic (as at/). 28 HARMONY. Examples of Perfect Cadence. f f? rj —^?— «_ K 1 1 H r^ 1 <p : & -4 -<S ffl- -($»- 3= -4 £2 l_jS2 ^_J £2 i d: ^2
. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . ded by the dominant with its root at the bass. This is emphasizedif the dominant is preceded by the second inversion of the tonic, andstill more emphasized if the second inversion of the tonic is precededby the subdominant (asat</) or supertonic (as at/). 28 HARMONY. Examples of Perfect Cadence. f f? rj —^?— «_ K 1 1 H r^ 1 <p : & -4 -<S ffl- -($»- 3= -4 £2 l_jS2 ^_J £2 i d: ^2. -- -3- £ »? -i r i 5> -- -^- :L Z5>7 s>- ElII The Second Inversion of the Dominant chord is preceded by theTonic Chord with its root at the bass, and followed by the Tonic Chordwith its third at the bass, or just the reverse. This second inversionis not often used on the accent of the measure. It is apt, in this case,to sound like a Tonic chord. b. c. a and b are better than c and d, on account of the contrary motionbetween the outer parts. Although the second inversions always enter as above, viz., if atonic, after any chord in the scale ; if a subdominant, after the tonic,root at bass; if a dominant, after the tonic, root or third at bass —they do not always conform to these examples as to the chord that fol-lows them ; but the rest of this subject must be reserved for a laterchapter. HARMONY. 29 The exercises that follow are to be transposed to all the are the last basses that will be given. I. F= —<s^i .—U II. ^g3f^f#if^pF
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