Hopi. Bowl with a Figure Holding a Macaw. 1400–1625. Arizona. Ceramic and pigment The bisected design of this bowl interior features a field of paint spatter contrasting with a standing figure holding a macaw in his outstretched hand. The figure depicts a ritualist wearing an embroidered kilt and a pair of feathers in his hair. He is further ornamented with polychrome paint that covers his face, torso, and arms. The red color and long tail feathers of the bird indicate that it is a scarlet macaw, a type of parrot traded from Mexico. These birds were symbolically associated with the power of th
Hopi. Bowl with a Figure Holding a Macaw. 1400–1625. Arizona. Ceramic and pigment The bisected design of this bowl interior features a field of paint spatter contrasting with a standing figure holding a macaw in his outstretched hand. The figure depicts a ritualist wearing an embroidered kilt and a pair of feathers in his hair. He is further ornamented with polychrome paint that covers his face, torso, and arms. The red color and long tail feathers of the bird indicate that it is a scarlet macaw, a type of parrot traded from Mexico. These birds were symbolically associated with the power of the sun and agricultural abundance, and their brilliant feathers were highly valued in ceremonial Pueblo communities leave prayer sticks adorned with feathers at specific sacred places in the landscape. These ritual objects are offered as prayers to the gods and the natural elements, asking them to bring rainclouds to regenerate the crops in the cultivated fields.
Size: 3000px × 2866px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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