. The air brush in photography, incorporating a progressive series of lessons . good fortinting the lips and cheeks of youth, although not to be recommendedas it is fugitive when applied in weak washes. Shade with the same and in the deepest shadows use with magenta for greater depth. OrangeThis color is somewhat similar to flesh and gold but very differ-ent in character. This color can generally be used wherever the fleshand gold are appropriate. Is very beautiful for sunset effects inbackgrounds. Wine Is one of the reds which is very dark. It is very appropriate fordraperies, als
. The air brush in photography, incorporating a progressive series of lessons . good fortinting the lips and cheeks of youth, although not to be recommendedas it is fugitive when applied in weak washes. Shade with the same and in the deepest shadows use with magenta for greater depth. OrangeThis color is somewhat similar to flesh and gold but very differ-ent in character. This color can generally be used wherever the fleshand gold are appropriate. Is very beautiful for sunset effects inbackgrounds. Wine Is one of the reds which is very dark. It is very appropriate fordraperies, also used effectively in dark shadows of faces, especiallyaround the eyes, nose and mouth. Shade with the same color. PurpleThis color is not quite as powerful as the violet, yet it is ofgreater permanency and wifl be found many times more shade can be varied by the addition of scarlet or blue. Shadethe shadows with rose. Magenta Magenta is a very brilliant color and gives a rich quality to darkdraperies. Can be used as a flesh tint. Shade with the same color. 131. Chapter IIIApplying the Colors F THE print is a small one it is not necessary to back it,but if it happens to be an enlargement or even a print offairly good size, it will be found better to back it beforecommencing to color as the solid card backing will holdthe print straight and flat so that the coloring will beeasier than if the print were curled. If the print is to be backed, it should be placed on agood stiff smooth card board by the dry mounting method, as in thatway curling is practically eliminated. If, however, that method can-not be used then one can mount with paste and secure good resultsproviding the photograph on card board is left under pressure untilthoroughly dry after which it will not curl. The objection to thepaste is that it takes so long to dry under pressure. It is advisable to apply one of the following solvents whenattempting to work on any coated photographic paper. Platinumpaper
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