. Furniture for the craftsman; a manual for the student and machanic. Fig. 59 INFLUENCE OF ANTIQUE MODELS 37. be turned by using some well selected taper form. The shelfand top may then be treated with a moulded edge and slightlyrounded corners and the rulejoint be used instead of plainsquare. Fig. 60 is a more pretentious tableproperly made in mahogany. Thisis the type the interested workerwill find gives him the opportunityfor skilled workmanship and in thedrawers he may insert various smallcompartments and specified divi-sions which would delight the futurepossessor of such an article. By t
. Furniture for the craftsman; a manual for the student and machanic. Fig. 59 INFLUENCE OF ANTIQUE MODELS 37. be turned by using some well selected taper form. The shelfand top may then be treated with a moulded edge and slightlyrounded corners and the rulejoint be used instead of plainsquare. Fig. 60 is a more pretentious tableproperly made in mahogany. Thisis the type the interested workerwill find gives him the opportunityfor skilled workmanship and in thedrawers he may insert various smallcompartments and specified divi-sions which would delight the futurepossessor of such an article. By the use of Fig. 61 the mannerof glueing up stock is shown and maybe restored to produce a fiowingshape or outline which is frequentlywider than stock obtainable. Theheavy line shows the proposed shape of one-half of lyre pedes-tal to work table, Fig. 60 allowing length for large tenons, top and bottom A to fit in mor-tise in frame, Fig. 62, and thelower tenon to fit in mouldedbase above scroll feet in Fig. the outline indicated inheavy line is sawed out, unite thetwo halves by glueing. Thiswill
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte
