Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . passages as may present themselves, with more or less certainty of notviolating the composers intentions. It is not necessary that holding notes thus iutioduced hxhim should be the identical sustained tones of the orchestral score; but if so, all the better. Itmay very likely be the case that the organist is not familiar with the orchestral score, or can notget access to the same, oi, again,
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . passages as may present themselves, with more or less certainty of notviolating the composers intentions. It is not necessary that holding notes thus iutioduced hxhim should be the identical sustained tones of the orchestral score; but if so, all the better. Itmay very likely be the case that the organist is not familiar with the orchestral score, or can notget access to the same, oi, again, that the reading of such a score would be a sealed book tohim. It suffices for the purpose that the tones sustained do not assert themselves too this end, it is usually best to keep them in the middle of the harmony, and sometimes evenlower. Besides this, in case two manuals are employed, the second manual should be so regis-tered as to be subordinate to the first in quantity of tone. If we did not know what this specific case requires, the following ti-eatment, on theprinciple above advanced, would be appropriate as an, organ effect for one manual qualifyingthe staccato: Example -> —^—H ye liuu - - - ilred, etc. THE STACCATO TOUCH. 147 Other sustained tones may also be employed, as foi instance : Example 155.
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
