Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . ; but in full organ effectsand fortissimo climaxes it is most impressive, dominating all othertonalities. Its presence is of most value in the Fifth or Solo Organof the properly stop-apportioned Concert-room Organ. TUBA CLARION.—A Tuba of octave or 4 ft. pitch, the pipesof which are formed in all respects similar to those of the unisonTuba, 8 ft. As this stop will accompany the unison stop, in what-ever division of the Organ it is inserted, it should be subordinate insc
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . ; but in full organ effectsand fortissimo climaxes it is most impressive, dominating all othertonalities. Its presence is of most value in the Fifth or Solo Organof the properly stop-apportioned Concert-room Organ. TUBA CLARION.—A Tuba of octave or 4 ft. pitch, the pipesof which are formed in all respects similar to those of the unisonTuba, 8 ft. As this stop will accompany the unison stop, in what-ever division of the Organ it is inserted, it should be subordinate inscale and strength of voice. TUBA MAGNA.—The name given either to the Tuba Mira-bilis or the Harmonic Tuba when voiced to yield a tone of greatvolume and assertiveness. TUBA MAJOR.—The name employed in some instances todesignate the Contra-Tuba, 16 ft., but more commonly applied tosuch a stop as the Tuba Magna (q. v. ). TUBA MINOR.—The name appropriately given to a Tuba,8 ft., of small scale, yielding a softer voice than that of the otherTubas. This stop may be introduced in the Swell or in the expres- PLATE IV kJ. kJ
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
