Art-studies from nature, as applied to design : for the use of architects, designers, and manufacturers . Fig. 10 Fig. 11. which has particularly engaged the attention of Agassiz, is also FORMS OF ORGANIC REMAINS. 193 found in the Cretacean series. It is figured in two different posi-tions, that the elegant outline and the ornamental radiating striae,regular tubercles, and denticulated margin may be fully seen. In the Cardita we have the same heart-shaped form, but theornamental surface is in many respects different. The regularcurved lines proceeding from the hinge of the shell, which is itse
Art-studies from nature, as applied to design : for the use of architects, designers, and manufacturers . Fig. 10 Fig. 11. which has particularly engaged the attention of Agassiz, is also FORMS OF ORGANIC REMAINS. 193 found in the Cretacean series. It is figured in two different posi-tions, that the elegant outline and the ornamental radiating striae,regular tubercles, and denticulated margin may be fully seen. In the Cardita we have the same heart-shaped form, but theornamental surface is in many respects different. The regularcurved lines proceeding from the hinge of the shell, which is itselfmost delicately formed, present in the Cardium mutonianum
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Keywords: ., bookcentury180, bookdecade1870, booksubjectdecorationandornament
