. Colour in woven design . is invariably the centre element of thisspecies of style. *:*â¢. _â¢_ _** ~~ ⢠⢠|~S ⢠⢠±»_^* _â¢â¢ â¢_⢠_â¢_ _â¢â¢ .⢠_â¢.⢠â¢â¢ _â¢_!__â¢â¢ *± â¢_ â¢â¢_ *_±_ _⢠â¢â¢. â¢. â¢._ _â¢â¢ â¢_⢠â¢_ _â¢__⢠_⢠â¢_ _â¢_ â¢_⢠â¢_⢠â¢_ ⢠⢠⢠⢠⢠Fig. 59. ^Br^Effilc^efliil ⢠W >V *V #V â â . C â¢â¢Â»- -vjj- â â¢* .%& £«£â â WJw* M 73- ;S;3- *3 m v£2& S& j£ Fig. 60. 139. Irregulars composed of Four Shades.âThe firstof these schemes gives an effect somewhat similar to thatwhich results from fig. 56, only here the cassimere twill SIMPLE COLOURINGS.
. Colour in woven design . is invariably the centre element of thisspecies of style. *:*â¢. _â¢_ _** ~~ ⢠⢠|~S ⢠⢠±»_^* _â¢â¢ â¢_⢠_â¢_ _â¢â¢ .⢠_â¢.⢠â¢â¢ _â¢_!__â¢â¢ *± â¢_ â¢â¢_ *_±_ _⢠â¢â¢. â¢. â¢._ _â¢â¢ â¢_⢠â¢_ _â¢__⢠_⢠â¢_ _â¢_ â¢_⢠â¢_⢠â¢_ ⢠⢠⢠⢠⢠Fig. 59. ^Br^Effilc^efliil ⢠W >V *V #V â â . C â¢â¢Â»- -vjj- â â¢* .%& £«£â â WJw* M 73- ;S;3- *3 m v£2& S& j£ Fig. 60. 139. Irregulars composed of Four Shades.âThe firstof these schemes gives an effect somewhat similar to thatwhich results from fig. 56, only here the cassimere twill SIMPLE COLOURINGS. 221 may be advantageously employed, and probably a neaterpattern acquired. In certain weaves, such as fig. 59, thesecond scheme produces an excellent species of suitingIt is illustrated in fig. 60. If more pronounced effects areneeded, common twills should be employed, particularly. Fig. six-end weave. If this twill is employed, it forms thepattern supplied in fig. 61. The III. Scheme yields in theMayo a very effective pattern, as is seen in fig. 62. Herethe black yarns produce an indistinct figure, while the other
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
