Text-book of simple and double counterpoint including imitation or canon . ccented measures show that cadential confirmations disturb thesymmetrical construction: 1 + 1 + 2 + 1 +1 (+ ^ + i) + 2 5 instead of 4. We invert the exercise:267. B. ^ ==i=fc ^^ -i-M^Et^^E?E3E^ T- m^m -(= •-, f=t m m 1^;: --fv ^ =!^: Tpl—•- ^--^ w -^—? •-(•- U: :t=Ut: ^—0 wi —T—i- § 24. PLAIN CANON IN THE UNDER-FIFTH (OVER-FOURTH). The relationships are similar. We again use cantus firmus B^which, perchance, makes canonic treatment possible at a distanceof one measure, and almost without any change: 168 m. IMITATIVE COU
Text-book of simple and double counterpoint including imitation or canon . ccented measures show that cadential confirmations disturb thesymmetrical construction: 1 + 1 + 2 + 1 +1 (+ ^ + i) + 2 5 instead of 4. We invert the exercise:267. B. ^ ==i=fc ^^ -i-M^Et^^E?E3E^ T- m^m -(= •-, f=t m m 1^;: --fv ^ =!^: Tpl—•- ^--^ w -^—? •-(•- U: :t=Ut: ^—0 wi —T—i- § 24. PLAIN CANON IN THE UNDER-FIFTH (OVER-FOURTH). The relationships are similar. We again use cantus firmus B^which, perchance, makes canonic treatment possible at a distanceof one measure, and almost without any change: 168 m. IMITATIVE COUNTERPOINT CANON). Problem 59: Plain canon in the under-fifth (over-fourth).268. B. NB. Only the next to the last measure is free. From this roughsketch a number of elaborated (ornamented, figured] formationsare possible, for example:269. B. m ^^=itf :;!==tibi: -1^ 1- U- V—h •-^^ p^^^=t=i=^ -^r ^ 0 nfe -#-B-#-^ ES^^g I ! tt^ P fc* :t^?? » :t= #—J^ Inverted (canon in the over-fourth):270. B. ^ Sl^ « § 24. PLAIN CANON IN THE UNDER-FIFTH. 169. ^Ae^^ mm ^-fzMi ^-^? 77^- § 25. SIMULTANEOUS ENTRY OF THE THEME IN DIRECT ANDCONTRARY MOTION (ALSO WITH THIRD-DOUBLINGS). A particularly interesting form of imitation is the reversion^or imitation of the theme in contrary motion. Like imitationin direct motion, the same may be developed in all the inter-vals (as well in relation to the degrees of the scale, as inthe period of entry) of the comes from the dux; indeed, occa-sionally it is possible, under certain cucumstances, to have thedux and comes enter simultaneously., for example: 271. minor: major: l$_ 5 -• ai J I- 1 I ^^^ I «• I ^ (third of the tonic = third of the tonic. or also:272. minor: -V i -^—• ^ •-jd m 3 * T^«-^z^J-|_j!i^i: rtrtiT - - r r *mfrri ^ r tonic-fundamental = tonic-third.) 170 m. IMITATIVE COUNTERPOINT :CANON). major: ••? -=-^* ^ rarer:273. minor:
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