Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . combination sounds at a distance from thekeys—whether in vocal combination or by itself—nmst be acquired by every good instruments carry over, as it is termed, when the pipes produce their true effect at somedistance from the instrument. Of such organs it is safe to say, that in many pieces of a softcharacter, voices and accompaniment only sound perfectly balanced (to the co
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . combination sounds at a distance from thekeys—whether in vocal combination or by itself—nmst be acquired by every good instruments carry over, as it is termed, when the pipes produce their true effect at somedistance from the instrument. Of such organs it is safe to say, that in many pieces of a softcharacter, voices and accompaniment only sound perfectly balanced (to the congregation) whenthe accompanist hears but an occasional note of his instrument or literally nothing. Qualifyingcflect of theVoices upontlie Accompa-niment. Conceptionof orpian effectremote fronttlio player. Example 30. ^s. M. -I—V-P- 0\»—-—^-,—T— p-^»^- 1. A charge to keep I have, God to glo - ri - fy,— A nev - er - dy - ing soul to ?Pee =^^3=^^1^3=Ee^3^^e^^P; p -y—y—y—y—y— 2. Arm me with jeal - ous care, As in thy siglit to Uve ; And, oh! thy ser-vant, Lord, pre - ^z ^=^r =2^=^==lf ^See^ —#—•-—•- ms. \ Ped. -S>- -r-i9—T 1 ^- _-,g_r , p.^_ .._i. f-^-7-. 36 CHOIR ACCOMIAXIMENT. An*, from Beethoven. ) ^—^-—-^.^ -^^ »_-^^X-^___IJ
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
