. What pictures to see in America. ly hurrying home have come to a sandy, sid-ling road leading around a curve. The womanwith the child beside her on the hay guidesthe horse, while the man pushes the wagonfrom behind. The sense of strain in the manslow-lying body makes one feel the heavy roadand the creaking wheels plowing through theloose sand. Morning on the Seine (Eig. 38), by Dau-bigny (1817-1878). I once saw an old gray-headed artist standing before Corots Danceof the Nymphs. After a long silence he said,with an indrawn breath, It is a Corot; thereis nothing more to be said! then turning
. What pictures to see in America. ly hurrying home have come to a sandy, sid-ling road leading around a curve. The womanwith the child beside her on the hay guidesthe horse, while the man pushes the wagonfrom behind. The sense of strain in the manslow-lying body makes one feel the heavy roadand the creaking wheels plowing through theloose sand. Morning on the Seine (Eig. 38), by Dau-bigny (1817-1878). I once saw an old gray-headed artist standing before Corots Danceof the Nymphs. After a long silence he said,with an indrawn breath, It is a Corot; thereis nothing more to be said! then turning toa Daubigny near by, he remarked, And thisman we love. He comes so close to us withhis sunny meadows and shady streams. Dau-bigny loved the atmosphere; he bathed every-thing in it. How the feathery young trees atthe left rustle their delicate leaves, and thecrinkly waves break away from the ducks asthey waddle in the ooze. The square towerthat marks the center of the tiny village onthe low hill is a silhouette against the gray- w. ^ ^t^ FitJ. ;5S—Morning on the Seine. Dauhijiny. Metropolitan Museum of Art. New York City. T 1
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1915
