The American annual of photography . as is consistent with your lens definition. A Httleretouching will be necessary because the anastigmat is norespecter of lines, wrinkles or blemishes. In retouching, be careful to do it as neatly as possible, for itmust be enlarged and irregularities may show in the finishedprint. Enlarge these small negatives through a soft-focus lensstopped down a little. Personally I use Artura Carbon Blackpaper for any portraits made in this way. In beholding the results, one will oftentimes be very agree-ably surprised at the atmosphere and depth obtained in thefinishe
The American annual of photography . as is consistent with your lens definition. A Httleretouching will be necessary because the anastigmat is norespecter of lines, wrinkles or blemishes. In retouching, be careful to do it as neatly as possible, for itmust be enlarged and irregularities may show in the finishedprint. Enlarge these small negatives through a soft-focus lensstopped down a little. Personally I use Artura Carbon Blackpaper for any portraits made in this way. In beholding the results, one will oftentimes be very agree-ably surprised at the atmosphere and depth obtained in thefinished print. While I am a very firm believer in using 8 x loplates and making contact prints from the original 8 x losoft-focus negative, I know that results may be obtained inportraiture by enlarging the small anastigmat negative, whichresults are a very close second when compared with the contact8 X lo prints. Any way, it is a means of practicing strictphotographic economy, and the results are certainly worth thesmall means THE WHALERS. S. B. RISDON. 54
Size: 1755px × 1423px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1919
