. Bulletin. Ethnology. 170 BUREATT OF AMKBTOAls^ 75 No. 88. Parade Song (f) (Catalogue No. 762) Recorded by Ringer No. 16 Voice ^-66 Drum J = 66 Drum-rhythm similar to No. 72. M^ i=± m^mm m El issi gggEs^^^FgEg s g^ Analysis.—Thm song has a compass of 12 tones and contains the major triad and second. In structure it is melodic with harmonic framework. The drumbeat was tremolo to the point marked X, after which in four renditions it was in quarter-note values. (See No. 72.) The repetitions of the song necessitate an ascending interval of a twelfth, which was sung with good i
. Bulletin. Ethnology. 170 BUREATT OF AMKBTOAls^ 75 No. 88. Parade Song (f) (Catalogue No. 762) Recorded by Ringer No. 16 Voice ^-66 Drum J = 66 Drum-rhythm similar to No. 72. M^ i=± m^mm m El issi gggEs^^^FgEg s g^ Analysis.—Thm song has a compass of 12 tones and contains the major triad and second. In structure it is melodic with harmonic framework. The drumbeat was tremolo to the point marked X, after which in four renditions it was in quarter-note values. (See No. 72.) The repetitions of the song necessitate an ascending interval of a twelfth, which was sung with good intonation. The fourth is the interval of most frequent occurrence, constituting 54 per cent of the entire number of intervals. (See No. 3.) This interval has frequently })een noted as associated with the idea of motion. No. 89. Parade Song (g) (Catalogue No. 780) Recorded by Singer No. 21 Voice J = 60 Drum J — 60 Drum-rhythm similar to No. 20 -r- ' gs T=r=f=fS ^ Connective phrase Analysis.—This song has a compass of 10 tones and contains all the tones of the octave. More than half the progressions are whole tones. (See No. 28.) The lowest tone in the third measure was not. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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