. Studio international . ifested in all translationsof nature into the terms of art. This essence, 1take it, is something personal and temperamentalwhich is introduced by the artist, who is an intcr-eter, mind you, not a copyist ot nature. lie has to show the value of his tality in his work, if it is to be oi ,m\account. But surel) he can do that and yet keep withinthe bounds ol tricl n ali ;m, objected the ArtMaster. •• That I am tm lined to questii m, retui tied the ?• li so. nr, to me that il yiiu repress his imagination b inn in his student days, l of his life a dull due,-] oi commonplai i
. Studio international . ifested in all translationsof nature into the terms of art. This essence, 1take it, is something personal and temperamentalwhich is introduced by the artist, who is an intcr-eter, mind you, not a copyist ot nature. lie has to show the value of his tality in his work, if it is to be oi ,m\account. But surel) he can do that and yet keep withinthe bounds ol tricl n ali ;m, objected the ArtMaster. •• That I am tm lined to questii m, retui tied the ?• li so. nr, to me that il yiiu repress his imagination b inn in his student days, l of his life a dull due,-] oi commonplai i or else you rouse in him rebellion whii h leads him into intern i recti) the resti system ived l ithi i waj hi will fail to n alise whicl d yet nan-. natun No, drop yout i ran ing foi finality i dm ation, ?• n ! ad foi som with moil vitalitj and pontani ity, iome more adaptable m h hii h «ill enable ibilitiiiln idi d that you ore infallible, laughed tin- Man with th< R d I llll I . I I. ? Recetit Work by Mr. Reynolds-Stephens R ECENT DECORATIVE WORKAND SCULPTURE BY MR. The manner in which an artists personalityfinds expression in the character and quality ofhis work has often been made a subject for dis-cussion. It is a question, apparently, on which thereis a considerable amount of disagreement, because,at present, what a personality may be has not beenexactly defined. To attempt a definition is, perhapsunwise ; but certainly it is not impossible to trace aconnection between the intellectual and executivecapacities with which an artist is endowed, and thecharacteristics by which his productions are dis-tinguished. The man who is sincerely trying toexpress what he feels in his art, and who is moreanxious to find his own direction than to follow aconvenient convention whichother men have established,does bring a personal noteinto his practice. His per-sonality can be said to governhis achievement, becauseboth in the matter and t
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