Kloskant scarf with Kashmir-Veer motifs, anonymous, c. 1815 - c. 1835 Black bobbin scarf: Chantilly side. There is a two -sided symmetrical design on a rough and empty grid. On each end a few spring or palm motifs such as Kashmir-Shawls, who with their top volits over cutting a medallion of a few letters Letters L. These show a maliën fond with a brank and blossoms that accentuate the outlets. Couples of winding branches that end in leaf volits grow to the middle, frequently cross each other and form a heart -shaped medallion. The edges are kept very straight by weak sculptes, within which ran


Kloskant scarf with Kashmir-Veer motifs, anonymous, c. 1815 - c. 1835 Black bobbin scarf: Chantilly side. There is a two -sided symmetrical design on a rough and empty grid. On each end a few spring or palm motifs such as Kashmir-Shawls, who with their top volits over cutting a medallion of a few letters Letters L. These show a maliën fond with a brank and blossoms that accentuate the outlets. Couples of winding branches that end in leaf volits grow to the middle, frequently cross each other and form a heart -shaped medallion. The edges are kept very straight by weak sculptes, within which ranks, S medallions and flowers stand with Maliën Fond. Geraardsbergen (Possible) silk bobbin lace Black bobbin scarf: Chantilly side. There is a two -sided symmetrical design on a rough and empty grid. On each end a few spring or palm motifs such as Kashmir-Shawls, who with their top volits over cutting a medallion of a few letters Letters L. These show a maliën fond with a brank and blossoms that accentuate the outlets. Couples of winding branches that end in leaf volits grow to the middle, frequently cross each other and form a heart -shaped medallion. The edges are kept very straight by weak sculptes, within which ranks, S medallions and flowers stand with Maliën Fond. Geraardsbergen (Possible) silk bobbin lace


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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No

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