International studio . THE SHOWER. LITHO-GRAPH BY MARIAN ELLIS piece of work. The work will not bedone in the school, for diplomas will onlybe given to men whose training has beencompleted, and not until they have beenpractising their crafts independently forat least two years. a a a aThe Central School is at the head ofthose belonging to the London County. WOODCUT BY RACHELA. MARSHALL {By permission of and Son) Council as the Royal College of Art isat the head of the Board of EducationSchools; but the Central School does not,like the Royal College, undertake thetraining of teache
International studio . THE SHOWER. LITHO-GRAPH BY MARIAN ELLIS piece of work. The work will not bedone in the school, for diplomas will onlybe given to men whose training has beencompleted, and not until they have beenpractising their crafts independently forat least two years. a a a aThe Central School is at the head ofthose belonging to the London County. WOODCUT BY RACHELA. MARSHALL {By permission of and Son) Council as the Royal College of Art isat the head of the Board of EducationSchools; but the Central School does not,like the Royal College, undertake thetraining of teachers. It is essentially aschool of production in which the pupilsare taught to make things, and wherethey can practise in exceptionally favour-able conditions and under the directionof experts, the crafts by which they hopeto earn their livings later on. Naturallyit is, and must be, principally a schoolfor professionals, and in its earlier days atRegent Street the amateur, if not entirelyshut out, was certainly not Burridge takes a broader recognises the stimulus the craftshave received in modern times throughmen like William Morris and Mr. CobdenSanderson, who began as amateurs, anddeclines to exclude others who hope tofollow in their footsteps. He thinks 53 THE CENTRAL SCHOOL OF ARTS AND CRAFTS
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament