. The National Civic Federation review . h i; \M is L. Bobbins. language, while the large number of persons em-ployed In a representation of Parsifal in Englishmade the concession of special rates of paymentessential to the reasonable pecuniary success of tin-enterprise. It was agreed that higher rates of pay-ment were warranted for the musicians engaged inManager Heinrich Conrieds productions. A comparison of the two sets of demands, as theystood at. the beginning of these conferences, willshow how far apart they were then. The differencesrelated to grand opera inEnglish, to dramatic musi-cal
. The National Civic Federation review . h i; \M is L. Bobbins. language, while the large number of persons em-ployed In a representation of Parsifal in Englishmade the concession of special rates of paymentessential to the reasonable pecuniary success of tin-enterprise. It was agreed that higher rates of pay-ment were warranted for the musicians engaged inManager Heinrich Conrieds productions. A comparison of the two sets of demands, as theystood at. the beginning of these conferences, willshow how far apart they were then. The differencesrelated to grand opera inEnglish, to dramatic musi-cal comedies, extravagan-zas and comic opera; andto vaudeville, burlesque andpopular price houses. The managers made thefollowing propositions, ap-plying to all these classesof performances: All members have theright to engage their musi-cians and leaders, subject toJohn Mitchell the rules and discipline ofthe house in which musi-cians perform. No sub-stitutes will at any time be permitted, unless agreedto by the managers. No extra pay when requiredto play behin
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