Bibliotheca Spenceriana; or, A descriptive catalogue of the ..library of George John, earl Spencer . and effects of the tender passion: OSuiti cm t^t nuob bri me ia jcne quabragenarifi lefcritjere: tjel te qnquagenami be amoretoueniat aubire ? %\x\xt\\t^ re^ i^efta bele/ctat. 1 tencra corba bejra^cit* d^enc^ em tarnpbonei ^ut amori^ aubitore^: ^prubentie iuuenejef, Ij^ec quicgp e^t ^enectute :que benere afPectat ^ine bicibj. %mxtnt^^ ta ialiquojEf ^ene^gi amante^. amatol bero nulla. I select (promiscuously) from the text itself the following passage :t * Sic. t As a great por
Bibliotheca Spenceriana; or, A descriptive catalogue of the ..library of George John, earl Spencer . and effects of the tender passion: OSuiti cm t^t nuob bri me ia jcne quabragenarifi lefcritjere: tjel te qnquagenami be amoretoueniat aubire ? %\x\xt\\t^ re^ i^efta bele/ctat. 1 tencra corba bejra^cit* d^enc^ em tarnpbonei ^ut amori^ aubitore^: ^prubentie iuuenejef, Ij^ec quicgp e^t ^enectute :que benere afPectat ^ine bicibj. %mxtnt^^ ta ialiquojEf ^ene^gi amante^. amatol bero nulla. I select (promiscuously) from the text itself the following passage :t * Sic. t As a great portion of my readers may be attached to the pursuit of portrait col-lecting, and may probably have sought a long time, hi vain, for an early engraving of theabove two lovers, it will aiford no small satisfaction to such, to be presented with theensuing representation of them, from a work of upwards of 300 years old, and of greatpopularity in former times. The fidelity of such representations in general, as well as of thssubjoined in particular, I have not the temerity to question. 2DU0 Duo amantcs hijs diebus in ytalia fiieriit. Miles vnus eurialus noie Sygismiidi impera-toris, curialis prascipuus. Et lucrecia in senesi ethrurie vrbe. ambo decori. amboquc Without Date.] AENEUS SYLVIUS. 1?,9 tm^* S^mq; nH ampii^ tic km qucrot. ^ meanie^ no magnifacio. qt net gmu^ef e^ net ^o>luisf* que mea forma beccgit. !3i^ulti i aniauert1 amat me alij. ^5 ut ffloru ^c 1 tuu^ erit tiacuU0 laBoc. ^aBere tjcrfia tecu nee poj^sfmn neetolo. ginuenire me ^oU nt^ ffasf l^prutio nonjiote^* 3tite jefiit tiomu.^ 1 abitu^ cujtotiia dau30it» sr^unera tua ^u^cepi. qr oljlectiuit me opu^ iHOtU* Sec. FoZ. xii. recto. On the recto of fol. 36, and last, we read €rpiicuit opusrculu iJuiJtie tiuobu^e^ amantt{)Ui9^. The composition of the work, as it appears from the termination,bears date 1444—thus : €x tiaicnna,qiuto nonaje^ jidia^* fll^ifle^imo quatirigente--^mo quatirage^imo quarto* The p
Size: 1489px × 1677px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookpublisherlondon, books, booksubjectrarebooks
