The American annual of photography . DEW ox GRASSES. WILSON A. BENTLEY. Annual could see and enjoy these latest masterpieces of thesnow artist. It is rightly assumed that articles in the Annual should behelpful, rather than reminiscent or descriptive. As I lookback in retrospect at the difficulties met and overcome, whileengaged in photographing the various forms of water, I amwondering what hints and bits of my experience would mostlikely be of most value to Annual readers. Possiby someadditional hints regarding dew and frost photography may behelpful and welcomed. I gave a sketch of this del
The American annual of photography . DEW ox GRASSES. WILSON A. BENTLEY. Annual could see and enjoy these latest masterpieces of thesnow artist. It is rightly assumed that articles in the Annual should behelpful, rather than reminiscent or descriptive. As I lookback in retrospect at the difficulties met and overcome, whileengaged in photographing the various forms of water, I amwondering what hints and bits of my experience would mostlikely be of most value to Annual readers. Possiby someadditional hints regarding dew and frost photography may behelpful and welcomed. I gave a sketch of this delightfulearly mornings work in the last Annual, telling, among otherthings, how it is possible and ofttimes best, to remove dew andfrost-laden objects from their natural environment, where thebackground and lighting is ofttimes unsatisfactory, and to re- 112 arrange and photograph them before an artificial (dense black)background. Doubtless all dew photographers have noted howtroublesome the early morning bfeezes are, how they agitat
Size: 1413px × 1769px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyorktennantandw
