Altar Angel (one of a pair) ca. 1275–1300 French This figure, along with its pair (acc. no. ) probably once held either candlesticks or instruments of the Passion. Deriving in style from the smiling angels on the west facade of Reims Cathedral, such works were placed around an altar. They stood on top of small columns that supported rods on which curtains were hung. The angels were originally painted in rich colors and gold. Their upward trailing wings are now lost. Listen to experts illuminate this artwork's story Listen Play or pause #26. Altar Angel (one of a pair) Supported by Bloom


Altar Angel (one of a pair) ca. 1275–1300 French This figure, along with its pair (acc. no. ) probably once held either candlesticks or instruments of the Passion. Deriving in style from the smiling angels on the west facade of Reims Cathedral, such works were placed around an altar. They stood on top of small columns that supported rods on which curtains were hung. The angels were originally painted in rich colors and gold. Their upward trailing wings are now lost. Listen to experts illuminate this artwork's story Listen Play or pause #26. Altar Angel (one of a pair) Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Altar Angel (one of a pair). French. ca. 1275–1300. Oak with traces of paint. Made in Artois, France. Sculpture-Wood


Size: 3791px × 3792px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No

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