. Orchestration . but the student is advised to adopt the plan of indicating the fingeringby means of the diamond-shaped notes. If he does this he will keepmore in touch with the difficulties which he is setting before theplayer. Note.—In Berliozs quotation from Raouls Romance1 the threebars of Harmonics with which the passage concludes appears thus: a rrtert. fi - ; =—=_ &— lu - rrrrrrr -h- cx~*n This is confusing and inaccurate. With the exception of the last twonotes of the first bar these notes, if read in the treble clef, give one ofthe correct fingerings of the passage, but t
. Orchestration . but the student is advised to adopt the plan of indicating the fingeringby means of the diamond-shaped notes. If he does this he will keepmore in touch with the difficulties which he is setting before theplayer. Note.—In Berliozs quotation from Raouls Romance1 the threebars of Harmonics with which the passage concludes appears thus: a rrtert. fi - ; =—=_ &— lu - rrrrrrr -h- cx~*n This is confusing and inaccurate. With the exception of the last twonotes of the first bar these notes, if read in the treble clef, give one ofthe correct fingerings of the passage, but they do not indicate thestring on which to finger. The correct notation and the actual soundsare as follows: Actual M. VSounds. The high F\ which occurs five times in the first bar can, of course,be produced in four different ways as a Harmonic on the 4th string, Of these only two enter the sphere of practical politics, viz., m ^s and m Gevaert, in citing the passage, writes the note thus: Les Huguenots, Act I. THE VIOLA DAMORE. THE CELLO 40& which is quite accurate and represents what a modern Violin- or Viola-player would probably do in the circumstances. But it is just onthese rare occasions that the possession of his F§ strings is an undoubtedadvantage to the Viola dAmore player, and he would certainly preferto play the note as a No. 4 Harmonic on an ^-string rather than as aNo. 5 Harmonic on a No. 49. The Fr. Violoncelle; It. Violoncello ; Ger. Yioloncell. The Cello is in pitch an octave below the Viola. Its four strings,of which the lower two are covered, are tuned Its fittings are very much the same as those of the Violin and Violawith the addition of a long metal peg or rest, so
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