International studio . 1 z W w HQ m OS < z 0-, <o H J Pi w 5 E t/2. < w X X -V —J o P if: 3 — m The Van Randivijk Collection—// T HE VAN RANDWIJK COLLEC-TION.—II. THE BARBIZONSCHOOL. BY MAX EISLER In my first article on this collection published inthe last number of The Studio I dealt with someof the chief works by members of The Hague schoolwhich it contains. The present article concernsthe painters of the Barbizon school, who, as alreadyindicated, are represented by some fine before passing to these works I should liketo refer briefly to two painters who may be re-garde
International studio . 1 z W w HQ m OS < z 0-, <o H J Pi w 5 E t/2. < w X X -V —J o P if: 3 — m The Van Randivijk Collection—// T HE VAN RANDWIJK COLLEC-TION.—II. THE BARBIZONSCHOOL. BY MAX EISLER In my first article on this collection published inthe last number of The Studio I dealt with someof the chief works by members of The Hague schoolwhich it contains. The present article concernsthe painters of the Barbizon school, who, as alreadyindicated, are represented by some fine before passing to these works I should liketo refer briefly to two painters who may be re-garded as connecting-links between The Hagueand Barbizon groups—J. B. Jongkind (iS 1^1899)and Willem Roelofs (1822-1897). The former isrepresented by a painting in which a sailing-vesselfigures and which, though dated 1870, stands outamong its neighbours of The Hague and Barbizonschools by reason of its impressionistic freedom ; inits pellucid rendering of light it rather anticipatesMonet, yet characteristically Dutch traits are pre-sent. With the name of Roelofs,
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
