As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: 10 x cm (3 15/16 x 4 in.). This painting depicts the closing scene of the tale the parrot tells Khujasta on the twenty-second night. He concludes the story by warning his mistress against committing any acts that would cause her to be laughed at and get
As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: 10 x cm (3 15/16 x 4 in.). This painting depicts the closing scene of the tale the parrot tells Khujasta on the twenty-second night. He concludes the story by warning his mistress against committing any acts that would cause her to be laughed at and get her into trouble, like the wife of the emir, who is shown here being trampled to death along with her lover, the elephant driver. While in prison the jester caught them having sex on top of the elephant her lover had ridden up to her window. This brazen transgression made the imprisoned jester laugh so hard that the emir was alerted to the illicit affair. In the lower left the jester’s wife and her African lover, the Zangi, are being burned in punishment for their infidelity.
Size: 2250px × 3400px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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