Playing the Qin in the Shade of the Pines Wen Zhengming Chinese Wen Zhengming was the most influential Suzhou painter of the sixteenth century. He created his own immortality with his dogged determination to excel, his dozens of students, and an unusually long life of prodigious artistic production. In Playing the Qin in the Shade of the Pines, one of Wen's largest works, the freely executed boulders and impressionistically rendered trees coalesce into powerful interlocking forms when viewed, as intended, from across a spacious hall. The scroll is roughly contemporaneous with Wen's equally lar

Playing the Qin in the Shade of the Pines Wen Zhengming Chinese Wen Zhengming was the most influential Suzhou painter of the sixteenth century. He created his own immortality with his dogged determination to excel, his dozens of students, and an unusually long life of prodigious artistic production. In Playing the Qin in the Shade of the Pines, one of Wen's largest works, the freely executed boulders and impressionistically rendered trees coalesce into powerful interlocking forms when viewed, as intended, from across a spacious hall. The scroll is roughly contemporaneous with Wen's equally large calligraphic scrolls of the late 1520s, which were commissioned by the Jiajing emperor (r. 1522–66).Playing the seven-string zither (qin), a versatile instrument able to suggest nature's sounds, is associated with the solitary self-cultivation and reclusive existence of the scholar. A seventeenth-century qin is on display in the Ming Room of the Astor Playing the Qin in the Shade of the Pines. Wen Zhengming (Chinese, 1470–1559). China. Hanging scroll; ink on paper. Ming dynasty (1368–1644). Paintings

How we Work

Contribute

Legal

Contact Us