Wilson's quarter century in photography : a collection of hints on practical photography which form a complete text-book of the art . to forewarn, and where, toget the full sense of the pic-ture your highest tripod orthe top of a bath-housemust be used. In the attempt to get aninteresting foreground, thephotographer is sometimesled to overdo. In otherwords, crowd in too might help you to mymeaning by referring youto a picture that is very beautiful, and yet, I consider,faulty in the direction I speakof I allude to Mr. D. M. Arm-strongs painting of The Har-bor Bar, Mount Desert. (
Wilson's quarter century in photography : a collection of hints on practical photography which form a complete text-book of the art . to forewarn, and where, toget the full sense of the pic-ture your highest tripod orthe top of a bath-housemust be used. In the attempt to get aninteresting foreground, thephotographer is sometimesled to overdo. In otherwords, crowd in too might help you to mymeaning by referring youto a picture that is very beautiful, and yet, I consider,faulty in the direction I speakof I allude to Mr. D. M. Arm-strongs painting of The Har-bor Bar, Mount Desert. () It is true, this is a bar,and with such accessory ob-jects as belong to a bar, yetit strikes me with the feelingthat there are too many objectscrowded in, and the effect ofthe whole gives trouble to botheye and mind to puzzle out theartists reason for their intro-duction. The swirl of the lines Fig. 189.
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Keywords: ., bookcentury1800, bookdecade1880, bookidwilsonsquart, bookyear1887
