. Art in France. FIC. 677.—BOILLY. THE ARRIVAL OF THE FRAGMENT. (The Louvre, Paris.). G. 07S. HOfDON UAKJNG ABIST OF MONGE. (Musct des .\rts ddconitifs, Paris.) 322 THE NEW CLASSICISM modest painters, like Demarne, torecord incidents of daily life. Davidsstudio produced Granet, who had apredilection for small dark interiors,and worked in the gloomy cloistersof the dispossessed Capuchins; hemay almost be said to have createda motive which has not yet lostfavour, and seems to herald theconvent-interiors of Bonvin, thoselitde pictures full of shadows andsilence in which monk
. Art in France. FIC. 677.—BOILLY. THE ARRIVAL OF THE FRAGMENT. (The Louvre, Paris.). G. 07S. HOfDON UAKJNG ABIST OF MONGE. (Musct des .\rts ddconitifs, Paris.) 322 THE NEW CLASSICISM modest painters, like Demarne, torecord incidents of daily life. Davidsstudio produced Granet, who had apredilection for small dark interiors,and worked in the gloomy cloistersof the dispossessed Capuchins; hemay almost be said to have createda motive which has not yet lostfavour, and seems to herald theconvent-interiors of Bonvin, thoselitde pictures full of shadows andsilence in which monks and nunsmove quiedy about (Fig. 680).Drolling and Boilly depicted theParis of the middle and lowerclasses with spirited fidelity. Drol-
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
