Programme . as failed in getting Lykoff out of theway, and, touched by the madness of Martha, is ready to give himselfup to justice; he learns that the physician deceived him, and Lioubashaconfesses that she changed the potion. Gryaznoy stabs her. BeggingMarthas forgiveness he goes out, and Martha, with beauty destroyed,sick nigh unto death, crazed, still thinking him her lover Lykoff, callsto him, Come back to-morrow, my Ivan. Mrs. Rosa Newmarch, in her interesting book The Russian Opera,says: If there is any truth in the suggestion that Rimsky-Korsakoffcomposed Mozart and Salieri* and dedica
Programme . as failed in getting Lykoff out of theway, and, touched by the madness of Martha, is ready to give himselfup to justice; he learns that the physician deceived him, and Lioubashaconfesses that she changed the potion. Gryaznoy stabs her. BeggingMarthas forgiveness he goes out, and Martha, with beauty destroyed,sick nigh unto death, crazed, still thinking him her lover Lykoff, callsto him, Come back to-morrow, my Ivan. Mrs. Rosa Newmarch, in her interesting book The Russian Opera,says: If there is any truth in the suggestion that Rimsky-Korsakoffcomposed Mozart and Salieri* and dedicated it to Dargomijsky as * Mozart and Salieri (text Pushkins dramatic duologue unchanged) was produced by the PrivateOpera Company at Moscow in 1898. Salieri, Shaliapin; Mozart (a tenor part), Shkafer. Esposito con-ducted. This opera is really a dramatic scene with melodic recitative. Mozart sits down to the piano andplays two little movements. The style of the work is in keeping with the eighteenth Tailored Costumes, Coats and Waists DANCING DRESSES A SPECIALTY717 BOYLSTON STREET TELEPHONE. 5818 BOSTON 139S a kind of recantation of certain Wagnerian methods, such as a limiteduse of leit-motifs to which he had recourse in Sadko,* then his return tothe purely lyrical style in his ninth opera, .The Tsars Bride, mayequally have been a kind of apology to the memory of Glinka. Butit seems far more probable that he worked independently of all suchideas and suited the musical style to the subject of the opera. . .Though by no means the strongest of his operas, it seems to exercisea great attraction for the public; possibly because its nationalism is lessstrenuously demonstrated than in some of its predecessors. Ballade for Orchestra, Tam o Shanter. George Whitefield Chadwick (Born at Lowell, Mass., November 13, 1854; now living in Boston.) This Ballade was composed in the summer of 1914, but Mr. Chadwickhad had it in mind for a very long time. It is scored for threeflut
Size: 2855px × 875px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
