Interior con perro, (Interior with dog), by Eduardo Úrculo, (1973). 200 x 180 cm.


Eduardo Úrculo (21 September 1938 – 31 March 2003), was a Spanish Basque pop artist who also worked in other art movements, including Expressionism and Neo-Cubism. Both painter and sculptor, he is notable for his portrayals of luggage, the gentleman's hat, and the female bottom. With El Equipo Crónica (“Chronicle Team”), formed by the artists Manolo Valdés and Rafael Solbes, Úrculo is considered one of the drivers of pop art in Spain. Born in Santurtzi, in Spain's Basque Country, Úrculo had at least two siblings, brothers Jose Maria Úrculo and Maria del Mar Úrculo. The family moved to the mining village of Langreo, Asturias in 1941 because of the hardships imposed on them after the Spanish Civil War. With a childhood marked by famine, he joined the Instituto de Enseñanza Media in 1948. His interest in drawing began here after Úrculo discovered the art of Henri de Toulouse-Lautrec, Vincent van Gogh. and Amedeo Modigliani in picture books. At the age of 14, he dropped out of school to convalesce for several months from hepatitis and tuberculosis. During this time, he began to paint. When he was well enough, he started working in the mining company Carbones de La Nueva, where his father worked as a clerk. In the 1970s, while traveling to Portugal, Morocco and Ibiza, Úrculo began his many works featuring the female nude. Referred to as Úrculo's "Period Erotica", he emphasized "el culo" (the backside). Culis monumentalibus (2001), a provocative and massive sculpture measuring 4 m (13 ft) in height, is located in Oviedo's square, and caused great controversy when it was installed.


Size: 2862px × 3186px
Location: Museo Internacional de Arte Contemporáneo, Castillo de San José, Arrecife, Lanzarote, Canary Islands
Photo credit: © Simon Haggett / Alamy / Afripics
License: Licensed
Model Released: No

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