Pharmacy jar (albarello) (one of a pair) ca. 1579 Italian, probably Pesaro The goddess Fortuna is depicted standing astride a sea-monster on each of these five jars (see , .84 and , b–.345a, b). She is likely a symbol identifying the pharmacy to which the objects belonged. It is clear from subtle differences in the decoration that a number of artists were involved in making this set. On the three lidded jars, the roundel creates an illusion of a window opening onto a deep pictorial space. The painters have achieved an ambitious perspectival view—more impressive still on the
Pharmacy jar (albarello) (one of a pair) ca. 1579 Italian, probably Pesaro The goddess Fortuna is depicted standing astride a sea-monster on each of these five jars (see , .84 and , b–.345a, b). She is likely a symbol identifying the pharmacy to which the objects belonged. It is clear from subtle differences in the decoration that a number of artists were involved in making this set. On the three lidded jars, the roundel creates an illusion of a window opening onto a deep pictorial space. The painters have achieved an ambitious perspectival view—more impressive still on the two vessels with convex surfaces. On one, there is an amusing modification to the representation of Fortuna, who puckers her lips to blow wind into her own sail. The three lids are original, a rare Pharmacy jar (albarello) (one of a pair). Italian, probably Pesaro. ca. 1579. Maiolica (tin-glazed earthenware). Ceramics-Pottery
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