Text-book of simple and double counterpoint including imitation or canon . AT r- If Zf. In the three and four-voiced working-out of the exercisesunder § 9 (counterpoint invented freely throughout), we againrestrict the parallel forms of writing and place a voice-part,florid thioughout, in antithesis to a cantus firmus; only we con-cede to the added fourth voice-part the privilege of leaningupon any one of the three, or alternating between them adlibitum: Problem 40: To write a florid voice-part to the exercisesbelonging to problem 25; the fourth voice-part leaning uponany of the three others a

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Text-book of simple and double counterpoint including imitation or canon . AT r- If Zf. In the three and four-voiced working-out of the exercisesunder § 9 (counterpoint invented freely throughout), we againrestrict the parallel forms of writing and place a voice-part,florid thioughout, in antithesis to a cantus firmus; only we con-cede to the added fourth voice-part the privilege of leaningupon any one of the three, or alternating between them adlibitum: Problem 40: To write a florid voice-part to the exercisesbelonging to problem 25; the fourth voice-part leaning uponany of the three others as necessity A. 2. Cpt. ^ C. f. ^1^1 -?-^ --=\- ^^^n^ -K-f- *-* lt±L X^- feEii —^—^-a—S—I m^mm ii0- ^=± 3 § 13. THREE AND FOUR-PART COUNTERPOINT, &c. 95 W --fy f ^^i^^EE^EJ ii::Jt^=i=^^5st: rfZ^if-ff-i ^- ^^^^f^ teEI^^^-^E^^^^ -ara-i iS: ^- ^^r^^^-^^^^^^ ?-(^-,- I^^Hg^t^^^^^^ SE jg^ 1^=.- i^ g^^S^^J #-^ 1—I—i—F—•-F-j-af Pi^^^p j3p^j =t: 96 I. SIMPLE COUNTERPOINT. The same four-voiced and inverted:168. A.

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