Mary Magdalene, from a Crucifixion Altar, anonymous, c. 1550 On a ground she kneels to the right, used the head and upper body to the viewer and holds his hands against each other in a praying position. The separate hair waves widely over her back and disappears under the sagged cloak, which completely hides her legs. A finely pleated shirt comes from the wide neck opening of the overclock in Voorschuin and bulging through the elbow split of the sleeve, which is potted at the top. A scarf has been forced around the drug; A necklace with a pendant over the shoulders, rings on the fingers. The p

Mary Magdalene, from a Crucifixion Altar, anonymous, c. 1550 On a ground she kneels to the right, used the head and upper body to the viewer and holds his hands against each other in a praying position. The separate hair waves widely over her back and disappears under the sagged cloak, which completely hides her legs. A finely pleated shirt comes from the wide neck opening of the overclock in Voorschuin and bulging through the elbow split of the sleeve, which is potted at the top. A scarf has been forced around the drug; A necklace with a pendant over the shoulders, rings on the fingers. The passions on the upper rug at Hals and Moewen show elips -shaped decorations. Southern Netherlands boxwood (hardwood) On a ground she kneels to the right, used the head and upper body to the viewer and holds his hands against each other in a praying position. The separate hair waves widely over her back and disappears under the sagged cloak, which completely hides her legs. A finely pleated shirt comes from the wide neck opening of the overclock in Voorschuin and bulging through the elbow split of the sleeve, which is potted at the top. A scarf has been forced around the drug; A necklace with a pendant over the shoulders, rings on the fingers. The passions on the upper rug at Hals and Moewen show elips -shaped decorations. Southern Netherlands boxwood (hardwood)

How we Work

Contribute

Legal

Contact Us