International studio . LOWER NORWOODBY CAMILLE PISSARRO CAMILLE PISSARRO. LA PETITE BONNE DE CAMPAGNEBY CAMILLE PISSARRO He seemed as much at home in the townsas he had been in his beloved Eragny. Hispictures of streets form a remarkable col-lection. The pictures, Mi-Careme (1897)and Pont Neuf, reproduced here, areexamples of his work at this period. Butone misses his delicate and vibrating colourand the sense of light, atmosphere, andmovement which he seemed able to expressby the subtle variety of colour alone. aPissarro worked in other mediums thanoil paint. In his use of all of them hismeth
International studio . LOWER NORWOODBY CAMILLE PISSARRO CAMILLE PISSARRO. LA PETITE BONNE DE CAMPAGNEBY CAMILLE PISSARRO He seemed as much at home in the townsas he had been in his beloved Eragny. Hispictures of streets form a remarkable col-lection. The pictures, Mi-Careme (1897)and Pont Neuf, reproduced here, areexamples of his work at this period. Butone misses his delicate and vibrating colourand the sense of light, atmosphere, andmovement which he seemed able to expressby the subtle variety of colour alone. aPissarro worked in other mediums thanoil paint. In his use of all of them hismethods were decidedly personal. Hetried etching in 1865, and made a thoroughstudy of it in 1879. In etching he did notconfine himself to pure line, but by ways of his own he obtained unusual effects ofatmosphere and texture. For a time heworked at lithography in 1874, and moreextensively in 1896. His lithographs arenot numerous. He understood the breadthand luminosity of water-colour, which heused to perfection, getting a subtle delicacyand freshness of colour apparently
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
