Angel Corbel with the Coat-of-Arms of Breda, anonymous, c. 1500 The angel floats, one knee raised, bent the other leg backwards. His hair blends curly backwards and the mantle (as from a deacon) waving as if it just settled. He used his head to the right. The right hand disappears behind the coat of arms. The left hand has been lifted and holds a piece of fabric, possibly a partially broken drapery. The wings follow the shape of the pedestal. Brabant oak (wood) gilding The angel floats, one knee raised, bent the other leg backwards. His hair blends curly backwards and the mantle (as from a dea
Angel Corbel with the Coat-of-Arms of Breda, anonymous, c. 1500 The angel floats, one knee raised, bent the other leg backwards. His hair blends curly backwards and the mantle (as from a deacon) waving as if it just settled. He used his head to the right. The right hand disappears behind the coat of arms. The left hand has been lifted and holds a piece of fabric, possibly a partially broken drapery. The wings follow the shape of the pedestal. Brabant oak (wood) gilding The angel floats, one knee raised, bent the other leg backwards. His hair blends curly backwards and the mantle (as from a deacon) waving as if it just settled. He used his head to the right. The right hand disappears behind the coat of arms. The left hand has been lifted and holds a piece of fabric, possibly a partially broken drapery. The wings follow the shape of the pedestal. Brabant oak (wood) gilding
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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